Première Fabrique de Culture de Paris, le 100ecs apporte une réponse originale et pertinente au manque d’ateliers, d’espaces de travail et d’outils modernes pour les artistes et créateurs parisiens.
Death and life, creation and destruction, is the natural cycle. But in Belarus, the annihilation seems to be repeated and respond faster than elsewhere leaving little time for the country to recover, understand and break its chains. Yesterday's influence is often imposed; the similarities, irremediable?
At the time of the commissioning of the new Astravets nuclear power plant 32 years after the Chernobyl disaster, of which the Belarusians are still the first victims, this series is working on the traces of the history of the country in order to enlighten a little better his present.
"Memory is constitutive of identity… It is precisely the discontinuity, the intermittency that best characterizes the Belarussian collective memory.” Tatiana Glukhova, The Belarussian Identity: Collective Memory and Contemporary Constructions